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A popular-academic hybrid of movie analysis, history, and commentary looking at classic and commercial, independent, exploitation, and international film.
Publishes work in the theoretical humanities with an emphasis on the critical study of film, literature, the visual arts, and related audiovisual media.
tudies how history is being shaped by media & how media are being shaped by history. Examines the evolution of genre over time & how the changes in genre formulas are affected by contemporary pressures.
Publishes research on the international history of cinema; includes the production, distribution, exhibition, and reception of films designed for commercial theaters, as well as nontheatrical, noncommercial uses of motion pictures.
Engages in critical discussions of the key issues arising from the scale and speed of new media development, drawing on a wide range of disciplinary perspectives and on both theoretical and empirical research.